The return issue of Luvah journal, after a long absence, on the theme of power relations.

The Colour Journal is a lavish publication that explores colour in art and photography. It has been conceived as a collection of six volumes, each devoted to a single colour: blue, red, yellow, green, white and black. The Blue Issue contains, over more than 400 pages, about twenty contributions by international art historians, writers, anthropologists, philosophers, critics, artists and photographers that start from the colour blue.

A sound and music experience along the Dordogne river, with Le Chant du Moineau and the Ensemble UN orchestra (Pascal Battus, Benjamin Bondonneau, Michel Doneda, Jérôme Noetinger, Mathieu Werchowski...), and a group of invited researchers (with a composition by Lionel Marchetti on CD and a film by Camille Auburtin on DVD).

A survey of forty years of publications, highlighting the importance of the French publishing house P.O.L. and its authors in the emergence and definition of what can be called the contemporary in literature.

A manifesto for the decolonization of art book fairs and publishing.

Interviews with a group of pioneering artists' book publishers: herman de vries, Michel Durand-Dessert, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Maurizio Nannucci, Maurizio Spatola.

Interviews with a group of pioneering artists' book publishers: Simon Cutts, Hansjörg Mayer, and Leif Eriksson.

Interviews with ten pioneering artists' book publishers: Simon Cutts, herman de vries, Michel Durand-Dessert, Leif Eriksson, Guy Jungblut, Yvon Lambert, Irmeline Lebeer-Hossmann, Hansjörg Mayer, Maurizio Nannucci, Maurizio Spatola.

Artist-run galleries, Claes Oldenburg, Jean-Luc Godard, Sanya Kantarovsky, Tania Candiani...

An investigation into the origins of artistic creation, more than 40,000 years ago (a film by Pascal Goblot, with Daniel Buren and a group of specialists in prehistoric art, philosophers, anthropologists and archaeologists, narrated by Virginie Ledoyen).

Publication based on Roee Rosen's film Kafka for Kids, a cross-generic film combining a fiction drama with a documentary and a musical. The law as a central motif in Kafka's writings, and the fact that the film, supposedly, addresses children, lead to an exposition of the complex and troubling ways in which childhood is legally defined in the Palestinian occupied territories.

Artist's book. Alain Snyers' Microgestes (Microgestures) are invitations to action, they can be practiced or read aloud. They form a set of 45 detailed instructions for all sorts of situations: becoming a cow painter, instructing a meringue, capturing a draft, forgetting tomatoes in the subway or opening a can of tuna with a pickaxe...

Made in Crete, the native land of the photographer Nyima Marin, "L'Adieu du Minotaure" is part of a research combining poetry, alternative printing process, Mediterranean mythology and family history.

The most accomplished tale of Jean Lorrain (1855-1906), decadent dandy, ardent erotomaniac and corrosive pen, accompanied by a new piece by Nurse With Wound.

The status of the face in a society of images.

A reflection by the architects of Fagart & Fontana on the renewal of the city from within and more specifically on the processes of transformation and adaptation of existing collective housing to new needs and lifestyles.

A poetic story written in the form of an unanswered correspondence by the musician Félicie Bazelaire.

Special issue of the poetry journal directed by Jean-François Bory, dedicated to performance in the broad sense, from the page to the stage.

Françoise et Jean-Philippe Billarant's collection of minimal and conceptual art.

A collection of contributions and works around the figure of Prometheus, asking the question of the scope of our individual and collective action in an interconnected world, where humans and non-humans cohabit.

A workshop for the memory of Rwanda.

Marie-Laure Bernadac, a leading expert in Louise Bourgeois's work, invites nine artists from both sides of the Atlantic (Tracey Emin, Camille Henrot, Jenny Holzer, Rachel Whiteread...) to share their views of this major artistic figure of the 20th century.

This edition, at the crossroads of the exhibition catalogue and the critical essay, abundantly illustrated, gathers the contributions of about fifteen invited authors around Anne-Valérie Gasc's experiments on the architectural disappearance.

Special deluxe edition with an original photogravure by Cerith Wyn Evans.

The first collection of the Korean-French artist's writings, interviews (with Jacques Derrida, Jean-Luc Nancy, Nam June Paik...) and essays on her work.

Special issue dedicated to the simple and spectacular actions of the group of women artists "Les idiotes" (Hélène Defilippi and Sarah Cassenti): "the most raw and naked materiality of the body, which objectifies itself in act and concretizes itself as form."

A crossdisciplinary inquiry into the practices and forms of assembly making, through multiple times and geographies.

A retrospective.

An erudite investigation into the enigma of Marcel Duchamp's great testamentary work Étant donnés, an installation conceived for twenty years in the greatest secrecy before being unveiled to the public a year after the death of the inventor of the readymade, which gives the viewer new keys to interpretation, by examining both what the work concludes and what it opens.

Philosopher Éric Alliez rethinks Marcel Duchamp's legacy in relation to contemporary art and the image, psychoanalysis and gender.

Issue dedictaed to Éclat éclair (light-lightning) by Costis, his last poem, "an attempt at typographic transcription of lightning", with two texts by Pierre Restany.

Frédéric Acquaviva, as Mozart of the assize court, questions, in this only known example of judicial sound art, justice and its functioning, but especially insists on the fragile barrier which separates criminals from honest composers.

The music on this long-awaited solo vinyl album by legendary tape artist Jérome Noetinger was recorded live in the studio with no overdubs. Signals were sent through tube broadcast monitors and picked up with room microphones.

Monograph dedicated to the productions made in the early 1970s by major Swiss painter of Pop Art and Narrative Figuration Peter Stämpfli, period from which he devotes himself to the figure of the tire.

A project of Angélique Buisson after a poem of Jean-Baptiste Gresset, published in 1734, composed and interpreted by PEREZ.

A journey through the painted work of the Israeli artist, writer, visual analyst, psychoanalyst, philosopher and feminist theorist, through a set of reproductions and texts by Jean-François Lyotard, Nicolas Bourriaud, Noam Segal, Amelia Jones, Precious Okoyomon and Bracha L. Ettinger herself.

A perspective on the challenges related to training, professionalization, social rights and aesthetic and theoretical concerns of young artists, through the assessment of the activities of GENERATOR, a unique program of experimentation, professional training and international residency for curators.

Catalogue of a group exhibition mounted from the FRAC Réunion collection around identity issues such as racial, social or sexual constructions.

A panorama of the contemporary underground graphic scene, at the crossroads of drawing, comics and illustration, through the exhibitions, the numerous collective projects and the works of more than fifty international artists associated with the history of the mythical Parisian gallery Arts Factory (from Nine Antico to Willem through Charles Burns, Stéphane Blanquet, Hervé Di Rosa, Kiki & Loulou Picasso, Killoffer and Pierre La Police).

Publication based on a film by Stephen Loye about the micro-stories that emanate from the territory where the Germanwings A320 crash took place on March 24, 2015.

At the invitation of Fabienne Dumont, seven artists from both sides of the Atlantic cast an eye on the work of American painter Alice Neel (1900-1984).

The fascinating story of Jack Goldstein, the beginnings of CalArts, and some of the illustrious fellows who, in the 1970s and 1980s, led the transition from conceptual art to the Pictures Generation, paints an uncompromising picture of the art world then and now.

Meditations on cinema and method.

Meditations on cinema and method.

A filmed interview with the pianist, composer and teacher Émile Naoumoff, conducted by Nathalie Guilbaud, with a booklet gathering the testimonies of some of his former students.

The fourth issue of the critical review Dixit, in which the words of the architects Jan Kinsbergen and David Klemmer confront each other, in the format of a dichotomous visual atlas, around the theme of the process.

From the prehistoric biface to the telephone interface, whose lightning diffusion concretizes a new anthropological threshold for humanity: a theoretical articulation of current global issues from prehistory, thought as the privileged site where to rest the questions of the technique, the language and the image, between archaeology of the media, anthropology, geology, biology and science-fiction.

Reissue of Volume A of Dominique Pasqualini's Editome, which explores the permanent state of testing of our lives and our relationship to technology.

The French musician, composer and instrument builder returns to Discrepant label and brings an astonishing array of instruments from different cartographies and legacies.

This text is the script of a performance by Claude Closky, which took place in February 2022 at the Pernod Ricard Foundation. Invited by Jill Gasparina to an Interview on Art, Claude Closky twisted the exercise by writing a text-partition, based partially on interviews given by the artist since the 1990s.